Platforms: PS2, Xbox, PC
Release Date: 2005-03-15
Regions: USA Europe
Chris’s Rating: ☆☆☆☆
A pretty but ultimately shallow and frustrating attempt at action-oriented horror.

I’m not sure what to say about Cold Fear exactly. It’s got all the components of a good horror game, excellent graphics, and some genuinely creepy environments, and yet I can’t think of a single moment in the duration of the game that I felt like I was having fun. The game is a chore, from start to finish; it’s like a lifeless husk of a game that, by rights should be really fun, but for some reason I found it awful instead.

Cold Fear is a survival horror game that takes place first on a whaling ship and then later on an oil rig. It’s not the first horror game to take place in these locales: Carrier and Deep Fear covered this territory many years earlier. In fact, there are a lot of parallels between Cold Fear and Carrier: both take place on a ship, both involve research into some alien organism that turns people into zombies, both star a blonde super-soldier character, and both include invisible enemies. I also suspect that both games were intended to get the jump on the next Resident Evil release; Carrier’s developers were probably trying to get their game to market before the vastly superior Resident Evil Code Veronica came out, and Cold Fear looks like it was designed to benefit from Resident Evil 4 pre-release mania. Granted, Carrier is even more of an atrocity than Cold Fear is, but neither game is very good.

Cold Fear is a survival horror game that clearly falls in with games like Resident Evil 4 and The Suffering because it pushes action elements and gunplay to the fore. The player has a number of powerful firearms at his disposal, the protagonist is never portrayed as vulnerable, and the game is full of exploding heads and other gore. As an action game, it’s not half-bad: the gunplay is fine (apart from the aiming, which I’ll get to in a moment), the weapons work as advertised, and the control scheme is pretty good. And there are plenty of horror elements here as well. The environment design in particular uses light and shadow really well, and some of the rooms on the ship are really quite creepy. It’s also worth noting that the graphics in Cold Fear are pretty phenomenal; I played the PS2 version, and I was quite impressed with many of the scenes, especially the outdoor storm effects and atmospherics. Darkworks clearly has very talented engineering and art teams.

The problem with Cold Fear is that none of that stuff matters because very quickly flaws in the game design shatter any belief you might have been suspending. The game loses all of its ability to be scary (and later, fun) to a few key game design decisions that, in combination, prove to be deadly sources of frustration. I ranted about some of the problems with Cold Fear a few months back, and I was surprised by the number of people who seemed to have played the game without any error. I later revised my assessment of the failures of this game and concluded that fundamentally, Cold Fear doesn’t give the player enough information. I’ve thought about this a bit more (I had to think about something while slogging through the remainder of the game), and I’ve come up with a short list of the design decisions in Cold Fear that ruined the game for me.

• No map. I spent hours wandering around the ship and oil rig because I often had no clue where the game was asking me to go.
• Save point system. You can’t save at will in Cold Fear, you have to wait until the game prompts you with the option. Anticipating the next save prompt is difficult; sometimes you’ll be asked to save about two minutes after the last save, and other times you’ll progress for hours before reaching another save spot. Of course, there are no checkpoints either, so if you die you have no choice but to reload the save.
• Unpredictable ammo and health rationing. Some enemies drop ammo, others do not. Enemy bodies fade away after a few seconds, so even if they had ammo to give you, you will miss it if you don’t get to them quickly enough. Since you can’t store items for later use, this makes pacing yourself very difficult.
• Extremely difficult aiming system. It seems that this game was built for a mouse rather than an analog stick. Aiming in Cold Fear is harder than in any other game I’ve played, especially when you are on the boat. It does get a lot easier when you reach the oil rig, but there’s still no aim assistance and the control is twitchy enough to make the requisite head shots harder than they should be.

There are other problems, but these four are the robot lions that combine to form the Voltron of failure in this game. Now, each of these problems is not a deal-breaker alone, but together they make for a terrible play experience. The really killer problem is the save system, because unlike most other games, you can’t anticipate save locations or manage your character’s health and ammo before you save. Case in point: when you reach the end boss, you are forced to fight him with whatever ammo and health you happened to have at the last save; you can’t go back, there are no health items in the boss area, and, if you are like me and got there with less than 50% of your normal life, the boss fight is frustratingly difficult (as an aside, it’s also a terribly designed boss fight for other reasons–ugh!).

So you run around looking for some room you can’t find because there is no map, and along the way you encounter a lot of zombies, which you have a tough time killing thanks to the terrible aiming system. When you finally get to where you are supposed to go, your health and ammo are depleted. The game asks if you’d like to save, and you have to hesitate. On the one hand, you just played for an hour and don’t want to do all that crap again. But on the other hand, if you save now in your weakened state, the next section could be close to impossible. There’s no indication if the room you will end up in post-save is an item-rich treasure trove or a huge boss fight, and since you can’t carry items around for later use, you pretty much have no option but to press forward with however little resources you may have.

This may sound like I’m picking at nits, but seriously, this happens all the time in this game. Some people seem to play through it without every encountering these issues, but I suspect that they’re simply lucky enough to figure out where to go before they run out of resources (I’m also told that aiming with the mouse actually works). The moment-to-moment game play in Cold Fear isn’t very challenging (other than the aiming, which just feels broken), but there were several times that I almost gave up on the game due to frustration; it doesn’t matter how good a player you are, the game simply will not allow you to kill zombies if you run out of ammo.

The other elements of the game, such as the story, character development, and enemy design, are all a mixed bag. The zombie design is very nice (I really like the glowing Morlock eyes), but the exocel monsters (basically the bugs from Extermination) are quite lame. The story is very well written, and the characters developed though a series of diary entries and other files that you find are pretty good. But the plot itself is quite cliche, and the characters that matter (like the protagonist) are completely underdeveloped. It’s pretty much generic macho guy shooting zombies so he can save generic hottie that he has generically fallen for after exchanging 30 seconds of dialog. All of these aspects of the game would have been more than sufficient if the core game play wasn’t so broken; as it is, they just add to the intense mediocrity of this title.

In summary, Cold Fear, like Call of Cthulhu and a few others, has all the right elements for a good horror game and yet fails to glue them together with good game play. The graphics are great, the environments are creepy, and the story isn’t half-bad. It’s just that playing the damn thing isn’t fun because a couple of key decisions suck you right out of the experience and destroy any sense of enjoyment. The game isn’t a complete failure, and I’ve heard that some people manage to unwittingly avoid some of the worst sources for frustration, but there’s really no way that I can recommend Cold Fear.

Also known as: Mortifilia
Platforms: PS2, Xbox, PC
Release Date: 2004-10-01
Regions: USA Europe
Chris’s Rating: ★★★☆
A rather by-the-numbers horror game that benefits greatly from its unique two-player mode.

Obscure is a pretty apt title for this game, because it certainly passed under the radar of much of the gaming public. Developed by a French company named Hydravision and published by Microids, Obscure received almost no media attention whatsoever. The few reviewers who did take a look at the game mostly panned it, which is really too bad; while Obscure isn’t a revolutionary game, there are few flaws and it is quite entertaining. I think this game got a bit of a bum rap.

Let me get this out of the way right now: the story, monster design, character design, and puzzles in Obscure are about as run-of-the-mill as you can get. Five college students become trapped at their school and eventually discover that somebody in the school has been using students for scientific experimentation, which naturally has resulted hoards of grotesque monsters. There’s pretty much no development of the students, and even the antagonists get little plot time. The story is predictable and the monsters themselves all look like they’d be perfectly at home in any other generic survival horror game. In short, the surface content is pretty bland.

But Obscure makes up for its shallow story structure with interesting and innovative game mechanics. While the core of the game borrows heavily from Resident Evil (shoot some stuff, solve a lock puzzle, shoot more stuff, repeat), there are several aspects of the game that make it different than almost everything else in the genre.

First of all, there are five playable characters, and you can switch between them at any time (you have to be in the same room as the character you want to swap with). Each character has a different ability, but any character can be used to play through the game. The game is always played in teams of two, with the computer controlling the second party member. We’ve seen similar systems before in Resident Evil Zero, and it works well here too. Unlike Zero, however, you can pick and choose your team mates, and swap between them as you like.

This party system allows Obscure to support a feature that no other survival horror game has: a simultaneous two player mode. A second player can jump in at any time and take control of the secondary character. Both players can then swap items, and take control of the camera. When one player goes through a door that requires loading, the other player is automatically warped there as well, so it’s easy to stay together. Two player mode is a bit odd because, like Resident Evil and its ilk, this is a fixed camera game and the camera is only really capable of focusing on a single player at a time. However, in practice controlling the secondary player isn’t difficult at all.

The two player mode makes Obscure much more fun than it would be alone. When encountering a difficult section, two players can employ a lot of strategy about where best to attack and which escape route is the safest. And anyway, playing games with two people is almost always more fun than by yourself. In this case, it really makes Obscure a compelling experience.

The game designers at Hydravision have gone the extra mile in some other aspects of the game design as well. One of the coolest mechanics they’ve built in is the lighting system: the enemies are extremely photosensitive, and shining light on them burns away a protective cover of darkness that follows them around. In order to successfully combat such monsters, you can run through the rooms of the school and break all the windows to let more light in. You are also encouraged to attach flashlights to your guns, and tape is even provided for this mechanic. Once attached to a weapon, flashlights have the ability to go into “high-beam” mode for a limited amount of time, which adds a little bit of strategy to the otherwise run-of-the-mill fighting system (when encountering an enemy, you must aim, turn on your high beams, and start firing when the darkness around the enemy has been burned away).

Another nice touch to the design is the different abilities that the playable characters have. Some of the abilities are pretty lame, but a few of them are inspired. One character in particular, Josh, has the single most useful ability possible for this type of game: he can tell when all of the items in a room have been found. This makes clearing rooms of items, a task that pervades this genre and is often a chore, fast and somewhat delightful. It also reduces the amount of frustration incurred by having to traverse a large map in order to find a single missing item. Though I think Josh’s ability might actually detract from a game that requires you to visit the same locations over and over (like RE), in Obscure it proves invaluable. We used Josh throughout the game because of this awesome mechanic.

A few random notes: the graphics are pretty good in Obscure, and I really dug the lighting. This is one of the first horror games I’ve seen that tries really hard to create tension without shrouding the player it total darkness. The locations are interesting and fairly diverse, and there’s only a very little bit of underground laboratory to muscle through. The sound design is ok, but the music gets fairly repetitive. The difficulty spikes a few times, and towards the end of the game Obscure becomes very, very difficult. We ended up running past as many monsters as we could, because ammo became so limited. The fighting system, while routine, is fun and doesn’t detract from the game play. The enemy design is a little boring, and the one really cool enemy (a giant Jabba The Hutt style monstrosity) is reused too many times. There are a few legitimate scares throughout the game, but most of the tension is built by overpowering the player with enemies.

As as single player game, Obscure is a solidly constructed and moderately fun horror game. With two players, the game is much more enjoyable, though the difficulty level can be frustrating. Though the core mechanics are built on the basic Resident Evil formula, Obscure has a number of small design innovations that keep the game play interesting throughout the game. And while the story and characters are bland, the quality of the environments and puzzles is sufficient to support the game. Obscure is well worth the $20 it costs new, especially if you can find a friend to play with.

Official Site